“3D illustration” no longer means just making pretty visuals. Today, it defines industries. Games, films, advertising, and even education rely on teams of artists who can take a single idea and build entire worlds around it. The demand for 3D illustration services has grown so much that agencies have turned into cultural powerhouses, shaping how we see products, brands, and even stories.

But how do you know which studio is right for your project? Some excel at highly polished game worlds, others at cinematic visuals, others at connecting brands with accessible art pipelines. Let’s take a closer look at the agencies leading the field in 2025.

Kevuru Games: Masters of Game Worlds

Image source: Kevuru Games portfolio

Kevuru Games is often the first name that comes up in conversations about a 3D game dev studio. The reason is simple: they specialize in 3D game art services and have built a reputation for being a reliable partner for global publishers. Their artists are equally skilled at stylized character design and photorealistic environments, which makes them a perfect fit for projects of the highest level, including AAA titles.

This is also one of the rare cases where a game design agency has proven it can both scale up for blockbuster releases and stay nimble for indie productions. For anyone looking to outsource complex game visuals, Kevuru is the go-to partner.

The Mill: Where Cinematics Become Iconic

Image from The Mill portfolio

Not every project is about in-game graphics. Sometimes you need a trailer that makes players drop everything and pay attention. That’s where The Mill shines. Their work sits at the intersection of advertising, film, and interactive media.

As one of the world’s most recognized 3D illustration agencies, The Mill is trusted by major entertainment brands to create campaigns that don’t just sell — they stay in memory. Their strength lies in seamlessly blending live action with CGI, creating cinematic experiences that elevate a product to pop culture status.

TurboSquid: The Marketplace of Assets

Image from TurboSquid portfolio

TurboSquid is a different kind of player. Rather than operating like a classic game design agency, it serves as the world’s largest marketplace for 3D assets. Thousands of creators upload models every day, and businesses use them to accelerate production.

Why does this matter? Because not every studio can afford to build everything from scratch. If you need ready-made assets here and now, TurboSquid becomes indispensable.

Designity: Creative Networks for Modern Brands

Image from Designity website

Designity doesn’t follow the blueprint of a traditional studio. Instead, it positions itself as a managed network of creatives. Think of it as a bridge between brands and talented designers — a subscription-based model that makes access to specialists simple and scalable.

This approach works especially well for startups and mid-sized businesses that need consistent design work but aren’t ready to commit to a single agency. Designity’s strength lies in flexibility and cost-effective 3D illustration services across multiple industries.

Concept Art House: Innovators in New Frontiers

Image from Concept Art House website

Concept Art House has been at the forefront of art for gaming and Web3 for years. In 2025, they remain one of the most adaptable studios in the industry. From NFTs and digital collectibles to concept development for AAA franchises, their work spans both cutting-edge and traditional media.

What makes them stand out is their willingness to embrace new markets without losing artistic credibility. For clients entering uncharted territory, Concept Art House is a partner that understands how to balance innovation with professional execution.

Game Design Solutions for Every Project

When looking for game design solutions, the truth is there’s no “one-size-fits-all” studio. Kevuru Games is ideal for deep game production, The Mill for unforgettable trailers, TurboSquid for rapid access to assets, Designity for flexible brand-focused work, and Concept Art House for pioneering digital frontiers.

Each of these agencies excels in a different arena. Together, they illustrate the sheer diversity of today’s 3D illustration services — services that are no longer limited to entertainment, but are shaping culture, commerce, and technology itself.

Three federal agencies of the United States government outlined the risks facing banks if they decide to custody crypto on behalf of their clients, according to a document published jointly by the agencies on Monday.

While the announcement said that the document “does not create any new supervisory expectations,” it could provide a framework for banks that are considering entering the crypto space, as some reports have suggested they are.

According to the document, titled “​​Crypto-Asset Safekeeping by Banking Organizations,” a bank’s risk assessment would include the ability to understand a complex and evolving asset class; the potential of liability if crypto assets were lost; and legal and compliance responsibilities associated with the Bank Secrecy Act and Anti Money Laundering regulations.

“Providing crypto-asset safekeeping services may entail significant resources and attention,” it reads. The three federal agencies responsible for the document are the Federal Deposit Insurance Corporation (FDIC), the Office of the Comptroller of the Currency (OCC) and the Board of Governors of the Federal Reserve System.

Often, financial institutions use third parties to custody their crypto assets. Asset manager BlackRock, for instance, has used Coinbase and later Anchorage for the custody of its Bitcoin (BTC). BNY Mellon, the US oldest bank, also offers custody of digital assets for clients.

The document notes that banks are responsible “for the activities performed by the sub-custodian.” This advice could be significant in the future if a bank’s custodian is hacked and the crypto is lost.

The agencies write that audit programs are essential and should address the nuances of crypto assets, including key generation, controls related to the transfer and settlement of assets, and staff expertise. If the audit programs don’t exist within the bank itself, “management should engage appropriate external resources…to assess crypto-asset safekeeping operations.”

Related: Trump administration mulls ‘debanking’ executive order: WSJ

More favorable regulatory environment may appeal to banks

There have been indications that some banks are considering an entry into crypto. In May, The Wall Street Journal reported that a group of big banks was in “early talks” to issue a joint crypto stablecoin.

The banks may see the current regulatory environment as more favorable, especially as governing bodies have made a move into crypto easier. For instance, the Federal Reserve has eliminated the “reputational risk” criteria from its oversight of banks, which critics say was used to unfairly target crypto businesses.

Also in May, Acting Comptroller Rodney Hood wrote a letter to banks and federal savings associations saying they could buy and sell cryptocurrency that they are custodying at the direction of their clients. In 2025, the FDIC has undergone a “regulatory reset” and eased crypto restrictions for banks. 

Some native crypto companies are looking to go the opposite route: becoming a bank themselves. On July 2, Ripple, the creator of XRP (XRP), applied for a banking license with the OCC. Circle, the creator of stablecoin USD Coin (USDC), has done the same.

Magazine: Legal Panel: Crypto wanted to overthrow banks, now it’s becoming them in stablecoin fight

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